In 1639, while the Géluk School of the Fifth Dalai Lama and Qing
emperors vied for supreme authority in Inner Asia, Zanabazar
(1635–1723), a young descendent of Chinggis Khaan, was proclaimed the
new Jebtsundampa ruler of the Khalkha Mongols. Over the next three
centuries, the ger (yurt) erected to commemorate this event would
become the mobile monastery Ikh Khüree, the political seat of the
Jebtsundampas and a major center of Mongolian Buddhism. When the
monastery and its surrounding structures were destroyed in the 1930s,
they were rebuilt and renamed Ulaanbaatar, the modern-day capital of
Mongolia.
Based on little-known works of Mongolian Buddhist art and architecture,
A Monastery on the Move presents the intricate and colorful history of
Ikh Khüree and of Zanabazar, himself an eminent artist. Author
Uranchimeg Tsultemin makes the case for a multifaceted understanding of
Mongol agency during the Géluk’s political ascendancy and the Qing
appropriation of the Mongol concept of dual rulership (shashin tör) as
the nominal “Buddhist Government.” In rich conversation with heretofore
unpublished textual, archeological, and archival sources (including
ritualized oral histories), Uranchimeg argues that the Qing emperors’
“Buddhist Government” was distinctly different from the Mongol vision
of sovereignty, which held Zanabazar and his succeeding Jebtsundampa
reincarnates to be Mongolia’s rightful rulers. This vision culminated
in their independence from the Qing and the establishment of the
Jebtsundampa’s theocractic government in 1911.
A groundbreaking work, A Monastery
on the Move
provides a fascinating, in-depth analysis and interpretation of
Mongolian Buddhist art and its role in shaping borders and shifting
powers in Inner Asia.
Author: Uranchimeg Tsultemin
Uranchimeg Tsultemin is Edgar and Dorothy Fehnel Chair of International
Studies at the Herron School of Art and Design, Indiana
University-Purdue University-Indianapolis (IUPUI).
Reviews and endorsements:
The brilliance of Uranchimeg Tsultemin’s book lies in the recovery of
material that has been overlooked—especially art, architecture, and
ritual objects—and, moving beyond iconographic and stylistic analyses,
to consider their sociopolitical history. Uranchimeg’s use of a wide
variety of written and material sources read together and against one
another has produced a fascinating study.
—Gray Tuttle, Columbia University
A Monastery on the Move is an
impressive and pioneering work. Uranchimeg Tsultemin, one of only a
small handful of scholars of Mongolian Buddhist art that I am aware of,
weaves history, religion, politics, and Buddhist art into a narrative
that illuminates the interactions and mutual influences of these areas
in Mongolian religious and political lives. She opens up the world of
Mongolian Buddhist art in ways we have not seen before.
—Vesna Wallace, University of
California, Santa Barbara
Tradition und Modernität in der
zeitgenössischen Kunst der Mongolei
Veranstaltung am
23.11.2022 17:00 – 19:00 Uhr Veranstaltungsort:
Schillerstr. 6, S 102 Gastvortrag von
Professor Uranchimeg (Orna) Tsultem
1992 beendete
die Mongolei ihr siebzig Jahre langes sozialistisches Regime und
bildete eine neue Mehrparteienregierung, die demokratische Reformen im
Lande durchführte. Mit dem Übergang zur Demokratie kam es fast sofort
zu vielen wichtigen Veränderungen, darunter die Aufhebung des Tabus für
das Studium der historischen Vergangenheit und die Verwendung der
traditionellen mongolischen (vertikalen) Schrift. Mit der Umwandlung
der Mongolei in eine neue demokratische Nation hielten westliche Kunst-
und Kultureinflüsse, einschließlich der Populärkultur und des
Hollywood-Kinos, immer stärker Einzug in die Mongolei. In diesem
Vortrag werden einige bestehende Trends und die bekanntesten Künstler
der mongolischen Gegenwartskunst vorgestellt, wobei der Schwerpunkt auf
Künstlern liegt, die sich die mongolischen Traditionen in ihren
zeitgenössischen Werken auf höchst kreative und spannende Weise zu
eigen machen.
Professor Orna
Tsultem ist eine Historikerin der mongolischen Kunst. Sie hat den
Edgar- und Dorothy-Fehnel-Lehrstuhl für internationale Studien inne und
ist Assistenzprofessorin für asiatische Kunst an der Herron School of
Art and Design der Indiana University. Weitere Informationen über
unsere Gastdozentin finden Sie unter www.artmongolia.org.
Bitte beachten
Sie, dass die Vortragssprache Englisch ist.
Prof.
Dr. Uranchimeg Orna Tsultem. OtGO
Studio Berlin
Photo by OtGO 2022
Uranchimeg
Orna Tsultem Ц. Уранчимэг
Indiana University
Uranchimeg
(Orna) Tsultem received her Ph.D. in Art History from the University of
California at Berkeley in 2009. Prior to Berkeley, she studied art
history at Sophia University in Tokyo, Japan, and ELTE (Eötvös
Loránd University) in Budapest, Hungary. She received her BA and MA
degrees in Art History from the University of Arts and Culture,
Mongolia in 1993 and 1995 respectively. Dr. Tsultem is Edgar and
Dorothy Fehnel Chair in International Studies and Assistant Professor
at Indiana University’s Herron School of Art and Design. Prior to
Herron, she was Co-Chair of the Mongolia Initiative Program at the
Institute of East Asian Studies at UC Berkeley. She taught Asian art at
UC Berkeley, National University of Mongolia, Yonsei University in
South Korea and the University of Iceland.
Orna Tsultem’s work was recognized by several important awards, which
include American Council
of Learned Societies/Robert Ho Foundation Collaborative Research Award
in 2014-2016, John W. Kluge Fellowship from the Library of Congress,
Washington, D.C. in 2013, and Fulbright/IIE Fellowship in 2002-2005. In
2022-23, she was awarded IU Presidential Arts and Humanities Fellowship.
Orna Tsultem’s publications include her monograph A Monastery on the
Move: Art and Politics in Later Buddhist Mongolia published by the
University of Hawai’i Press in December 2020 and her edited volume
Buddhist Art of Mongolia: Cross-Cultural Connections, Discoveries and
Interpretations published by the Institute of East Asian Studies at UC
Berkeley in 2019, in addition to many exhibition catalogs,
peer-reviewed research articles, and 6 non-refereed books. She is also
an active curator who has shown contemporary art exhibitions
internationally since 1997 at established venues and international
biennales, including the 9th Shanghai Biennale in 2012 and the 56th
Venice Biennale in 2015. For her longtime service, the Ministry of
Foreign Affairs of Mongolia awarded her the honorary title “Cultural
Envoy of Mongolia” in 2016. She is currently working to complete her
new book manuscript on Mongolian contemporary art.
Freie Universität Berlin
Einladung zum Gastvortrag Uranchimeg Orna Tsultem
Indiana University Performativity in Mongolian Buddhist
Art
Montag, 28. Nov. 2022, 18–20 Uhr ct.
Raum A127, Kunsthistorisches Institut, Koserstr. 20, 14195 Berlin
When discussing and analyzing Buddhist art, scholars typically rely and
depend on textual sources. Moreover, scholars of Buddhist Studies
maintain a view that images are meant to serve as “visualization aids”
for meditation praxis (i.e. Janet Gyatso 1998, Donald Lopez 2005). This
talk will introduce several paintings from Mongolia which amply
demonstrate what Dwight Conquergood has termed “text-performance
hybridity” (Conquergood 2002, 152), where images were meant to serve as
important primary sources of Buddhist practice, often without singular
textual dependence. Supporting Religious Studies’ scholar Birgit
Meyer’s notion that “religion is a multi- media phenomenon that
mobilizes the full sensorium” (Meyer 2015, 333), I will discuss the
performative agency of these paintings seen in the ways they structure
the participatory acts of their viewers and shape
their mode of seeing to form the sense of their belonging and unity as
a community.