Prof. Dr. Uranchimeg Orna Tsultem
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin



Official Website of Orna Tsultem:
www.artmongolia.org




Prof. Dr. Uranchimeg Orna Tsultem: Tradition und Modernität in der zeitgenössischen Kunst der Mongolei
A Monastery on the Move: Art and Politics in Later Buddhist Mongolia
Uranchimeg Tsultemin

ISBN-13: 9780824878306
Published: December 2020

Additional Information
University of Hawaii Press
304 pages | 164 color and b&w illustrations

- more info: uhpress.hawaii.edu -

In 1639, while the Géluk School of the Fifth Dalai Lama and Qing emperors vied for supreme authority in Inner Asia, Zanabazar (1635–1723), a young descendent of Chinggis Khaan, was proclaimed the new Jebtsundampa ruler of the Khalkha Mongols. Over the next three centuries, the ger (yurt) erected to commemorate this event would become the mobile monastery Ikh Khüree, the political seat of the Jebtsundampas and a major center of Mongolian Buddhism. When the monastery and its surrounding structures were destroyed in the 1930s, they were rebuilt and renamed Ulaanbaatar, the modern-day capital of Mongolia.

Based on little-known works of Mongolian Buddhist art and architecture, A Monastery on the Move presents the intricate and colorful history of Ikh Khüree and of Zanabazar, himself an eminent artist. Author Uranchimeg Tsultemin makes the case for a multifaceted understanding of Mongol agency during the Géluk’s political ascendancy and the Qing appropriation of the Mongol concept of dual rulership (shashin tör) as the nominal “Buddhist Government.” In rich conversation with heretofore unpublished textual, archeological, and archival sources (including ritualized oral histories), Uranchimeg argues that the Qing emperors’ “Buddhist Government” was distinctly different from the Mongol vision of sovereignty, which held Zanabazar and his succeeding Jebtsundampa reincarnates to be Mongolia’s rightful rulers. This vision culminated in their independence from the Qing and the establishment of the Jebtsundampa’s theocractic government in 1911.

A groundbreaking work, A Monastery on the Move provides a fascinating, in-depth analysis and interpretation of Mongolian Buddhist art and its role in shaping borders and shifting powers in Inner Asia.

Author: Uranchimeg Tsultemin
Uranchimeg Tsultemin is Edgar and Dorothy Fehnel Chair of International Studies at the Herron School of Art and Design, Indiana University-Purdue University-Indianapolis (IUPUI).

Reviews and endorsements:

The brilliance of Uranchimeg Tsultemin’s book lies in the recovery of material that has been overlooked—especially art, architecture, and ritual objects—and, moving beyond iconographic and stylistic analyses, to consider their sociopolitical history. Uranchimeg’s use of a wide variety of written and material sources read together and against one another has produced a fascinating study.
Gray Tuttle, Columbia University

A Monastery on the Move is an impressive and pioneering work. Uranchimeg Tsultemin, one of only a small handful of scholars of Mongolian Buddhist art that I am aware of, weaves history, religion, politics, and Buddhist art into a narrative that illuminates the interactions and mutual influences of these areas in Mongolian religious and political lives. She opens up the world of Mongolian Buddhist art in ways we have not seen before.
Vesna Wallace, University of California, Santa Barbara




Prof. Dr. Uranchimeg Orna Tsultem
FLYER_Gastvortrag_Orna-Tsultem_20221128_FU_Berlin.pdf


Prof. Dr. Uranchimeg Orna Tsultem: Tradition und Modernität in der zeitgenössischen Kunst der Mongolei
Universität Leipzig:

Tradition und Modernität in der zeitgenössischen Kunst der Mongolei


Veranstaltung am 23.11.2022 17:00 – 19:00 Uhr
Veranstaltungsort: Schillerstr. 6, S 102
Gastvortrag von Professor Uranchimeg (Orna) Tsultem


1992 beendete die Mongolei ihr siebzig Jahre langes sozialistisches Regime und bildete eine neue Mehrparteienregierung, die demokratische Reformen im Lande durchführte. Mit dem Übergang zur Demokratie kam es fast sofort zu vielen wichtigen Veränderungen, darunter die Aufhebung des Tabus für das Studium der historischen Vergangenheit und die Verwendung der traditionellen mongolischen (vertikalen) Schrift. Mit der Umwandlung der Mongolei in eine neue demokratische Nation hielten westliche Kunst- und Kultureinflüsse, einschließlich der Populärkultur und des Hollywood-Kinos, immer stärker Einzug in die Mongolei. In diesem Vortrag werden einige bestehende Trends und die bekanntesten Künstler der mongolischen Gegenwartskunst vorgestellt, wobei der Schwerpunkt auf Künstlern liegt, die sich die mongolischen Traditionen in ihren zeitgenössischen Werken auf höchst kreative und spannende Weise zu eigen machen.

Professor Orna Tsultem ist eine Historikerin der mongolischen Kunst. Sie hat den Edgar- und Dorothy-Fehnel-Lehrstuhl für internationale Studien inne und ist Assistenzprofessorin für asiatische Kunst an der Herron School of Art and Design der Indiana University. Weitere Informationen über unsere Gastdozentin finden Sie unter www.artmongolia.org.

Bitte beachten Sie, dass die Vortragssprache Englisch ist.

Cornelia Meinig

Universität Leipzig
Quelle: www.gkr.uni-leipzig.de




Prof. Dr. Uranchimeg Orna Tsultem
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin
Photo by OtGO 2022



















Uranchimeg Orna Tsultem Ц. Уранчимэг

Indiana University















Uranchimeg (Orna) Tsultem received her Ph.D. in Art History from the University of California at Berkeley in 2009. Prior to Berkeley, she studied art history at Sophia University in Tokyo, Japan, and ELTE (Eötvös Loránd University) in Budapest, Hungary. She received her BA and MA degrees in Art History from the University of Arts and Culture, Mongolia in 1993 and 1995 respectively. Dr. Tsultem is Edgar and Dorothy Fehnel Chair in International Studies and Assistant Professor at Indiana University’s Herron School of Art and Design. Prior to Herron, she was Co-Chair of the Mongolia Initiative Program at the Institute of East Asian Studies at UC Berkeley. She taught Asian art at UC Berkeley, National University of Mongolia, Yonsei University in South Korea and the University of Iceland.

Orna Tsultem’s work was recognized by several important awards, which include

American Council of Learned Societies/Robert Ho Foundation Collaborative Research Award in 2014-2016, John W. Kluge Fellowship from the Library of Congress, Washington, D.C. in 2013, and Fulbright/IIE Fellowship in 2002-2005. In 2022-23, she was awarded IU Presidential Arts and Humanities Fellowship.


Orna Tsultem’s publications include her monograph A Monastery on the Move: Art and Politics in Later Buddhist Mongolia published by the University of Hawai’i Press in December 2020 and her edited volume Buddhist Art of Mongolia: Cross-Cultural Connections, Discoveries and Interpretations published by the Institute of East Asian Studies at UC Berkeley in 2019, in addition to many exhibition catalogs, peer-reviewed research articles, and 6 non-refereed books. She is also an active curator who has shown contemporary art exhibitions internationally since 1997 at established venues and international biennales, including the 9th Shanghai Biennale in 2012 and the 56th Venice Biennale in 2015. For her longtime service, the Ministry of Foreign Affairs of Mongolia awarded her the honorary title “Cultural Envoy of Mongolia” in 2016. She is currently working to complete her new book manuscript on Mongolian contemporary art.


Freie Universität Berlin
Einladung zum Gastvortrag Uranchimeg Orna Tsultem
Indiana University
Performativity in Mongolian Buddhist Art
Montag, 28. Nov. 2022, 18–20 Uhr ct.
Raum A127, Kunsthistorisches Institut, Koserstr. 20, 14195 Berlin

When discussing and analyzing Buddhist art, scholars typically rely and depend on textual sources. Moreover, scholars of Buddhist Studies maintain a view that images are meant to serve as “visualization aids” for meditation praxis (i.e. Janet Gyatso 1998, Donald Lopez 2005). This talk will introduce several paintings from Mongolia which amply demonstrate what Dwight Conquergood has termed “text-performance hybridity” (Conquergood 2002, 152), where images were meant to serve as important primary sources of Buddhist practice, often without singular textual dependence. Supporting Religious Studies’ scholar Birgit Meyer’s notion that “religion is a multi- media phenomenon that mobilizes the full sensorium” (Meyer 2015, 333), I will discuss the performative agency of these paintings seen in the ways they structure the participatory acts of their viewers and shape their mode of seeing to form the sense of their belonging and unity as a community.

YouTube: https://youtu.be/lG52x6HSj4c


Prof. Dr. Orna Tsultem: Performativity in Mongolian Buddhist Art | Free University of Berlin Germany
Camera and edit by OtGO 2022 Berlin







Prof. Dr. Uranchimeg Orna Tsultem
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin. Photo by OtGO 2022



Professor Uranchimeg (Orna) Tsultemin is historian of Mongolian art and the first Mongolian curator active in the field since 1993.







Prof. Dr. Uranchimeg Orna Tsultem
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin. Photo by OtGO 2022



Uranchimeg Tsultemin
OtGO: Immersive Painting for Global Viewer

Herron School of Art+Design, Indiana University, USA. July 2023




Prof. Dr. Uranchimeg Orna Tsultem
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin. Photo by OtGO 2022








Prof. Dr. Uranchimeg Orna Tsultem - OtGO Studio Berlin 2022
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin. Photo by OtGO 2022





Portraits of Chinggis Khaan Ancestral Connections Revisited | Orna Uranchimeg Tsultem
YouTube: https://youtu.be/alWEGSEXkgI

Institute of East Asian Studies: Exploring the Empire: Literature, Art, and Documents in the Study of the Mongols








Prof. Dr. Uranchimeg Orna Tsultem - OtGO Studio Berlin 2022
Prof. Dr. Uranchimeg Orna Tsultem. OtGO Studio Berlin. Photo by OtGO 2022













1000 Portraits
  29 November 2022, Berlin

Mongolian Art